The action-comedy âDabangg 2,â starring Salman Khan, has surpassed the 2 billion-rupee ($40.9 million) mark to become the third highest-grossing Bollywood production ever.
But Indiaâs professional film critics completely missed the attraction.
âDabangg 2â sees Mr. Khan reprising his role as Chulbul Pandey, a police officer in Uttar Pradesh who styles himself after Robin Hood, robbing from the bad guys to help the needy. Pandey tangles with a local goon, Bchcha Bhaiyya, played by the south Indian star Prakash Raj. Bhaiyya ends up causing Pandeyâs wife to miscarry, driving Pandey into a rage-fueled quest for revenge.
Although the first âDabanggâ grossed 2.2 billion rupees within two weeks of its release in September 2010, film critics had low expectations for the sequel, which they roundly panned.
âIt is pointless to analyze âDabanng 2â as pure cinema,â Sudhish Kamath said in his review of the film for The Hindu newspaper. âBecause itâs not. Itâs bhai-porn for the guys who work overtime at the gym,â he said, using the Hindi word for âbrother. âItâs futile to dissect the screenplay. Because there is none. All lines are just variations of âI can beat you up/Donât mess with me.â â
Sanjukta Sharma, features editor at Mint, called the movie a âdisappointment.â âIt had nothing to keep me engaged,â she said in her review.
If the success of âDabangg 2â has confounded the critics, they can agree on one thing: âDabangg 2â is Salman Khan and Salman Khan is âDabangg 2.â If the movie has succeeded, they say, itâs only because of the actorâs sheer star power.
Though the film critic Anupama Chopra generally trashed the sequel, she called Mr. Khanâs character âa superhero without a cape.â Her plea: Can someone please write a terrific plot for this terrific character
Nandini Ramnath, a film journalist at Mint, said any film in which Mr. Khan stars is bound to be a hit. âSalman Khan represents a superheroic unreconstructed Indian male - the romantic and monogamous, duty-bound and dutiful, fearless and brave, old-fashioned yet forward-looking man,â she said.
Mr. Khanâs last five releases have collectively exceeded 1 trillion rupees at thebox office, but his popularity didnât explode until the release of âDabanng.â Before the movie, Mr. Khan had been largely seen as the actor for the unsophisticated masses, whose target audience and fans would reside in smaller towns and villages, while the other two members of Bollywoodâs Khan trio â" Shah Rukh Khan and Aamir Khan â" had fans who flocked to multiplexes in the cities.
â âDabanggâ changed everything,â said Shohini Ghosh, professor of film studies at Jamia Millia Islamia. âAn action-comedy set in the rural badlands, âDabanggâ was not only a sensational hit in Salmanâs traditional fan base, but also captured the imagination of the urban middle-classes, who were prone to deride Salman-starrers as lacking class and taste.â
According to Ms. Ramnath, it was the movieâs âcomic-book storytelling style and ironic, self-parodying tone of the filmâ that made it a hit.
Mr. Khanâs stardom first gained momentum during the 1990s as Muslim viewer! s in Indi! a, feeling marginalized by the Hindu majority, identified with the Muslim actor, said Professor Ghosh.
âThe entire decade of the 1990s, and a large part of the next, witnessed a heightened communalization of public spaces as Hindu right forces consolidated political power following the demolition of Babri Masjid,â she said. âMuslims were cast as unreliable citizens whose loyalties were perpetually in doubt. The anxiety suffered by the ordinary Muslim â" who could be randomly targeted for interrogation, torture and incarceration merely on the basis of suspicion â" found reflection, as it were, in the unpredictable vicissitudes that beset Salman Khan.â
Mr. Khanâs legal troubles included charges that he hunted protected blackbucks and that he drove recklessly in an accident that killed a sleeping pavement dweller. He was never convicted, which may have appealed to underprivileged Muslims who felt they were being unfairly targeted by the justice system, said Ms. Ghosh.
Mr. Khanâslater films, like âTumko Na Bhool Paayengeâ and âGarv,â began emphasizing harmony between Muslims and Hindus, which Professor Ghosh said broadened Mr. Khanâs appeal among Indian viewers.
Even though the success of âDabangg 2â has cemented Mr. Khanâs box office power, critics are still slow to get on the Khan bandwagon.
âThere wonât be a sensible Salman Khan film,â says the film critic Rajeev Masand. âHe doesnât see merit in a story or the depth in its characters. In both âDabanggs,â at least he has a wholesome character.â
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