Sami Siva for The New York Times
Great writers often shape our impressions of a place. Steinbeck and Dust Bowl Oklahoma, for instance. Sometimes a writer might even define a place, as Hemingway did for 1920s Paris. Rarely, though, does a writer create a place. Yet that is what the Indian poet and Nobel Prize winner Rabindranath Tagore did with a town called Shantiniketan, or âAbode of Peace.â Without Tagoreâs tireless efforts, the place, home to a renowned experimental school, would not exist.
For Indians, a trip to Shantiniketan, a three-hour train ride from Kolkata, is a cultural pilgrimage. It was for me, too, when I visited last July, in the height of the monsoon season. I had long been a Tagore fan, but this was also an opportunity to explore a side of India I had overlooked: its small towns. It was in places like Shantiniketan, with a population of some 10,000, that Tagore â" along with his contemporary Mohandas K. Gandhi â" believed Indiaâs greatness could be found.
As I boarded the train at Kolkataâs riotous Howrah Station, there was no mistaking my destination, nor its famous resident. At the front of the antiquated car hung two photos of an elderly Tagore. With his long beard, dark eyes and black robe, the poet and polymath, who died in 1941, looked like a benevolent, aloof sage, an Indian Albus Dumbledore. At the rear of the car were two of his paintings, one a self-portrait, the other a veiled woman. Darkness infused them, as it does much of Tagoreâs artwork, unlike his poems, which are filled with rapturous descriptions of nature. As the train ambled through the countryside, Tagoreâs words echoed in my head. âGive us back that forest, take this city away,â he pleaded in one poem.
The son of a Brahmin landlord, Tagore was born in Calcutta, as Kolkata was called back then, in 1861. He began writing poetry at age 8. In 1913, he became the first non-Westerner to receive the Nobel Prize for Literature. The committee cited a collection of spiritual poems called âGitanjali,â or song offerings. The verses soar. âThe traveler has to knock at every alien door to come to his own, and one has to wander through all the outer worlds to reach the innermost shrine at the end,â reads one.
Tagore became an instant international celebrity, discussed in the salons of London and New York. Today, Tagore is not read much in the West, but in India, and particularly in West Bengal, his home state, he remains as popular â" and revered â" as ever. For Bengalis, Tagore is Mark Twain, Walt Whitman, Andy Warhol and Steven Sondheim â" with a dash of Martin Luther King Jr. â" rolled into one. Poet, artist, novelist, composer, essayist, educator, Tagore was Indiaâs Renaissance man. He was also a humanist, driven by a desire to change the world, which is what he intended to do in Shantiniketan. Upset with what he saw as an India that mooched off other cultures â" âthe eternal ragpickers of other peopleâs dustbins,â he said â" he imagined a school modeled after the ancient Indian tapovans, or forest colonies, where young men meditated and engaged in other spiritual practices. His school would eschew rote learning and foster âan atmosphere of living aspiration.â
Equipped with this vision â" and unhappy with Calcuttaâs transformation from a place where âthe days went by in leisurely fashion,â to the churning, chaotic city that it is today â" Tagore decamped in 1901 to a barren plain about 100 miles north of Calcutta. Tagoreâs father owned land there, and on one visit experienced a moment of unexpected bliss. He built a hut to mark the spot, but other than that and a few trees, the young Tagore found only âa vast open country.â
Undaunted, he opened his school later that year, readily admitting that it was âthe product of daring inexperience.â There was a small library, lush gardens and a marble-floored prayer hall. It began as a primary school; only a few students attended at first, and one of those was his son. Living conditions were spartan. Students went barefoot and meals, which consisted of dal (lentils) and rice, were âcomparable to jail diet,â recalled Tagore, who believed that luxuries interfered with learning. âThose who own much have much to fear,â he would say.
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