To Mahmoud Ahmadinejadâs critics in the West, the image of him clasping hands with the grief-stricken mother of Hugo Chávez at her sonâs funeral last week in Caracas might have seemed like a rare glimpse of a firebrand politicianâs softer side. But the clerics who rule Iran saw something very different: proof that the Islamic Republicâs official representative had flouted that nationâs absolute ban on physical contact between unrelated men and woen.
As the Iranian press blogger Arash Karami explained, the reaction to the photograph was swift and furious from religious conservatives. One of them, Hojat al-Islam Hossein Ibrahimi of the Society of Militant Clergy of Tehran, called on the authorities to ensure that the candidates to replace Mr. Ahmadinejad in the coming election be carefully screened to ensure that they understand what is prohibited by the laws of Shiite Islam.
âIn relation to what is allowed and what is forbidden,â he said, âwe know that no unrelated women can be touched unless she is drowning at sea or needs medical treatment.â
In response, some supporters of Mr. Ahmadinejad, including a cleric who was part of his entourage at the funeral and witnessed the interaction, insisted that the photograph of the president apparently hugging Mr. Chávezâs mother, Elena FrÃas,! was a forgery, created by digital manipulation. Others circulated online what they said was the image before it was altered in Photoshop, showing Mr. Ahmadinejad in the same embrace with an older man.
Unfortunately for Mr. Ahmadinejadâs camp, those assertions were quickly rendered inoperative by a series of countervailing truths.
First, the photograph of the president consoling Ms. FrÃas was not distributed by a Western news organization seeking to cause him trouble, but by the Venezuelan government, which provided identical copies of the image to three leading photo agencies. Second, a conservative Iranian news site, Entekhab, proved in short order that the image of the president with the older man was, in fact, the fake. A side-by-side comparison produced by Entekhab showed that this image had been created by lifting the head of Moamed El Baradei, the former chief of the United Nations nuclear agency, from a previously published photograph of him greeting another male Iranian official with a kiss in 2007.
Then, perhaps inevitably for an event carried live on television around the world, video soon a! ppeared o! nline that seemed to show Mr. Ahmadinejad attempting to comfort Ms. FrÃas in just the manner pictured in the still image. As a Zapruder-like close analysis of the footage from the Iranian exile news site Gooya showed, two figures who can be clearly seen in the background of the photograph, the cleric in the presidentâs entourage and a woman in dark sunglasses, could be seen clearly in the exact same positions in the video.
In something of a rear-guard action, as the press blogger Mr. Karami noted, a news site close to the president then tried to apply another sort of spin. The site, Shabakeye Iran, explained that Mr. Ahmadinejad often avoids shaking hans with women on foreign trips by clasping his own hands together âin the manner of people from East Asia,â and provided several archival photographs of that apparently working.
When Mr. Ahmadinejad made this gesture of greeting at the funeral last week! , the sit! e said, Mr. Chávezâs âgrieving mother, with tears coming down from her eyes, suddenly put her hands on top of his.â
In some respects, the incident recalled a similar controversy that erupted in 2007, when Mr. Ahmadinejadâs predecessor, the reformist cleric Mohammad Khatami, was caught on video briefly shaking the hands of three women as he made his way through a crowd of well-wishers after an address in Udine, Italy.
As the correspondent in Tehran at the time for The Guardian, Robert Tait, reported, after a similar outcry, and threats to strip Mr. Khatami of his religious position, the former president also tried to deny that the images were fake âand insisted he had not shaken hands with any of the women who had approached him.â
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