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Monday, December 17, 2012

Portraits From the Kochi Biennale: Video Artist Angelica Mesiti

At the Kochi-Muziris Biennale in the Kerala State city of Kochi, India Ink interviewed several exhibiting artists about their work, their expectations for the biennale and the politics of art. The fair will continue until March 13. Angelica Mesiti, 36, who lives in Sydney, works with video and performance. Her video installation is about immigrant musicians.

Q.

Tell us more about “Citizens Band.”

A.

I shot four short films in Paris and Sydney. Each film depicts traditional music being performed in an urban environment. These four musicians, who are immigrants, are exceptional performers. They carried their social and cultural heritage embodied within themselves even after displacement. I think this is a way of preserving one's cultural heritage and personal identity.

Angelica Mesiti.Courtesy of Kochi Biennale FoundationAngelica Mesiti.

In one short film, I show Geraldine Zongo, from Cameroon, practicing the traditional African water drumming technique in a swimming pool in Paris. She learned this from her grandmother. It is a technique used in ceremonies by polyphonic groups of women in the rivers. I also filmed Asim Goreshi, a taxi driver from Sudan, who whistles in his taxi in Sydney; Mohammed Zamouric, an Algerian who plays haunting melodies in the metros of Paris; and Bukhu Ghanburghed's Mongolian throat singing in Sydney. I have then fused their music to create a single lilting composition.

Q.

How are you finding the biennale?

A.

This is my first trip to India, and it is extraordinary to present my work here. It has been interesting to see how my work communicates in context of the location and the local population.

Q.

How do you feel about the venues where your work has been shown?

A.

I was very excited about the space. My work is about sound and image. And here there is a lot of local sound from the nearby mosque, animals, voices, music and tuk-tuk beeps spilling into my work. It is interesting to navigate spaces that have a former life - the layers of history and the architecture in this building enrich the experience.

Q.

Do you think art is political?

A.

My work is not overtly political, but I am interested in the social role of performance and music. Performance can act as a bin ding agent, and that is political in a way.



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