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Wednesday, October 31, 2012

In Sandy\'s Wake, Hard-Earned Advice From Asia: Pull Together

HONG KONG - Readers from around the world, and especially those in Asia, have responded graciously to our Facebook call seeking advice for storm-affected Americans, as folks along the Eastern Seaboard try to recover from the lashings of Hurricane Sandy this week.

“Be prepared!” said Redgz Tapalla-Molidor of the Philippines. “Listen to warnings given by weather forecasters. We've been hit by a lot of strong tropical storms, our secret in coping up is bayanihan.”

Bayanihan is a term used by Filipinos to describe a communal spirit, a coming-together to overcome a crisis or to reach a common goal. To get through the flooding of Manila in August, as we wrote on Rendezvous, “on social media outlets like Facebook and Twitter, and through text messages, Filipinos demonstrated a remarkable civic spirit as they shared news of evacuation centers and dropoff points for donations of emergency supplies.”

As Ms. Tapalla-Molidor says:

Rich or poor, famous or not, people help each other. We donate, lend equipment, and extend a helping hand. We lose our hard-earned possessions but we are still alive and our families, that's faith. Victims also undergo counseling especially the kids. They were given school supplies and toys so they can move on with their studies and be productive. Hope this helps.

Asia, of necessity, knows its way around natural disasters. Typhoon season is an annual worry for Pacific Islanders and those in coastal areas of Bangladesh, India, Myanmar, Vietnam and Thailand. The Philippines sits in the middle of what might be called Typhoon Alley, and Filipinos are regularly tormented by tropical superstorms, floods and mudslides. The storms in August overwhelmed Manila, killing at least 11 people and leaving a quarter-million homeless.

Eva Cakau from Fiji offered this advice:

Adopt a “Get back to normal as quick as possible” mentality and start the c leanup. My little town never waited for handouts or help from authorities when we were hit by massive floodings due to a cyclone. We just got up and did the best we could. When the authorities did finally reach us like one month later, everything was up and running again. We went without water and power supply for 10 days….and managed to pump water from a creek to clean up the mess.

Diesel generators, water blasters, canned foods and lots of batteries for torches were our biggest help! But mental toughness got us thru!

Many countries in the Asia-Pacific region are vulnerable to Ring of Fire earthquakes and their follow-on effects, including the massive Indian Ocean tsunami in 2004 and the earthquake-tsunami disaster in March 2011 that killed an estimated 18,000 Japanese, crushed Japan's northeastern coast and crippled the Fukushima nuclear complex. Christchurch, New Zealand, was badly damaged just before Christmas last year, and Indonesia and China routinely tremble from quakes.

Jules Mauri Venning of Timaru, New Zealand, says he “came through quakes by communicating with family, friends, setting limits to work commitments, pacing self and giving myself time out as necessary, also set a strategy for what would be achieved.”

And Denise O'Toole writes:

I lived in Chengdu, China when the Wenchuan earthquake struck Sichuan Province in 2008 and killed 88,000. People relied on each other, friends and strangers alike, in unprecedented ways that truly surprised the Chinese people. Recognizing our shared humanity, offering kindnesses large and small, and accepting help when offered got people through very dark times. . . and had a lasting impact on how people saw themselves and others.

Cyclone Nargis in Myanmar in 2008 killed more than 130,000 people flattened almost everything in the southern rice-growing delta. The brutal military junta at the time was monstrously inept i n relief efforts, even refusing aid shipments waiting just offshore in U.S. Navy ships. The regime's dithering and the people's anguish had a politically cyclonic effect on one senior general: U Thein Sein is now the president of the country and leading a new wave of democratic reforms there.

There also was a glimmer of a political breakthrough in the storm region in the United States this week, as Chris Christie, the Republican governor of New Jersey, made a tour of battered areas with Barack Obama, the Democratic president. In one interview, Mr. Christie said that “the president has been all over this and deserves great credit.”

“I hope the American people can transfer this disaster to an occasion for solidarity and brotherhood between all the classes of society and every religions and races,” Farous Tounsi wrote to us.

And Anne Murphy of Queens Village, New York, said of our Facebook comments that it “sounds like most people across the world of fer the same thoughts as those in this country who have gone through devastation.”

“I think we are blessed that we haven't seen natural disasters with the loss of life scale seen by some of the people in this discussion,” Ms. Murphy said. “God bless us all in times like these. Attitude and each other make a big difference.”



Sotheby\'s Delays Auction

Hurricane Sandy is affecting next week's important art auctions in New York. Sotheby's announced on Wednesday afternoon that its sale of Impressionist and modern art had been postponed to next Thursday. (It was to have taken place on Monday.) The reasons, Sotheby's officials said, are travel delays and fears that collectors and dealers would not have time to view the paintings, drawings and sculptures before the sale.

New Piece Added to Puzzle of Truman Capote\'s \'Answered Prayers\'

A small piece of Truman Capote's famously unfinished novel “Answered Prayers” has come to light. The six-page story, “Yachts and Things,” found among Capote's papers in the Manuscripts and Archives Division of the New York Public Library, is published in the December issue of Vanity Fair, out now in New York and nationally next week. The story will be available online in mid-November.

Issued three years after Capote's death, “Answered Prayers” was composed of three excerpts that had been separately published in Esquire in 1975 and 1976. Full of the thinly veiled (and unveiled) rich and famous, including Peggy Guggenheim, Jacqueline Kennedy Onassis and Gloria Vanderbilt, the book lost Capote many friends. Before his death at 59 in 1984, he spoke of several other fragments that have never been found or published.

 Katharine Graham with Truman Capote.The Washington Post/Associated Press Katharine Graham with Truman Capote.

In Vanity Fair, Sam Kashner writes that, “In ['Yachts and Things'], the narrator is clearly Truman, and ‘Mrs. Williams' is possibly The Washington Post's publisher Katharine Graham.” Gerald Clarke, the author of “Capote: A Biography,” told the magazine that the story was “vintage Truman. ‘A new moon, skinny as a slice of lemon rind' - you can't beat that. The title, ‘Yachts and Things,' is indeed the title of one of the chapters he planned for ‘Answered Prayers.' But that chapter would have been much longer than six pages, and it would have moved the narrative in a way that this piece, which is entirely self-contained, does not.”

When the book was published in 1987, Tina Brown (then the editor of Van ity Fair) wrote in The Times: “The trouble with ‘Answered Prayers' is that Capote at this stage was not amenable to the demands of nonfiction. He was out of control in his life and in his art. The nonfiction constraints of libel, taste and feeling were just what he needed at a time when his internal editor seems to have collapsed. Such constraints might have forced him to report with the fine calibrations of ‘The Muses Are Heard' and ‘In Cold Blood' instead of indulging himself in the worst solution of all, a rubbishy roman à clef.”



Brooklyn Academy of Music Announces Winter/Spring Season

John Turturro.Pascal Le Segretain/Getty Images John Turturro.

A new production of Ibsen's “Master Builder” and a repertory program from the Trisha Brown Dance Company with two New York premieres are among the Brooklyn Academy of Music's 12 theater, dance, music and opera programs during its winter/spring season, announced on Wednesday. The Ibsen play will include John Turturro and is to be directed by Andrei Belgrader.

The programs, which run from Jan. 17 to June 9, were announced by Joseph V. Melillo, executive producer of the Brooklyn Academy of Music. The season also includes live music events, artist talks, literary programs, the BAMkids Film Festival, a BAMfamily launch party and visual art exhibition s.

“The 2013 Winter/Spring Season features a rich array of international productions as well as exciting new work from artists close to home,” Mr. Melillo said in a statement listing the new programs. “We welcome back Peter Brook, Trisha Brown, William Christie, the Royal Shakespeare Company, John Turturro, and Andrei Belgrader, Bryce and Aaron Dessner, Sufjan Stevens and Chuck Davis. Making BAM debuts are Nico Muhly, Moisés Kaufman and Tectonic Theater Project and the Royal Ballet of Cambodia.”

The season also features a number of Academy-produced engagements, Mr. Melillo noted, including a return of the Crossing Brooklyn Ferry festival, a celebration of contemporary music from North Africa and the Middle East, called “Mic Check,” as well as the return of the Academy's longest-running program, DanceAfrica.

Among the theater highlights are the the Laramie Cycle from Tectonic Theater Project. It includes “The Laramie Project,” and “The Lar amie Project: Ten Years Later,” directed by Moisés Kaufman and Leigh Fondakowski and running Feb. 12-14. “The Master Builder,” the Ibsen drama, will run May 12-June 9.

“Les Yeux et l'âme” and “I'm going to toss my arms - if you catch them they're yours,” are two New York Premieres from Trisha Brown running Jan.30 â€" Feb 2. Presented as part of the citywide “Season of Cambodia” festival, the Royal Ballet of Cambodia presents “The Legend of Apsara Mera.” Choreography is by Princess Norodom Buppha Devi in collaboration with Proeung Chhieng and Soth Somaly, on May 2-4.

DanceAfrica's 2013 incarnation marks its thirty-sixth year. Under the artistic direction of Chuck Davis, performers include Umkhathi Theater Works (Zimbabwe), BAM/Restoration DanceAfrica Ensemble and others. Sweet Honey in the Rock will join in a special opening celebration. It runs May 19 & May 24 â€" May 27.

Winter/spring season tickets go on sale Nov. 19 to the general public (Nov. 12 for Friends of BAM and Nov 16 for season ticket holders of the 2012 winter/spring Season). Single tickets for winter/spring engagements The Suit, The Laramie Cycle, and Trisha Brown Dance Company go on sale to the general public Dec. 17 (Dec. 10 for Friends of BAM); the remaining engagements go on sale Jan. 14 (Jan. 7 for Friends of BAM). To purchase tickets online visit BAM.org or contact ticket services at (718) 636-4100.



Evan Ziporyn Leaving Bang on a Can Music Collective

Evan Ziporyn, an early collaborator of the Bang on a Can new music collective, is leaving the group. An announcement by Bang on a Can's founders, the composers Michael Gordon, David Lang and Julia Wolfe, said on Wednesday that Mr. Ziporyn was going on to other things, including composing new works and serving as director of the Center of Arts, Science & Technology at the Massachusetts Institute of Technology. Mr. Ziporyn, a clarinetist, played as an original member of the Bang on a Can All-Stars ensemble.

Kendrick Lamar Earns a Distant Second to Taylor Swift on Billboard Chart

If you make music for a living, you know you've done really, really well when your new album sells almost one million copies more than its closest competitor.

As announced late Tuesday, Taylor Swift's “Red” (Big Machine) sold 1,208,000 copies last week, according to Nielsen SoundScan, easily reaching No. 1. The gulf between it and everything else on this week's Billboard's chart is huge. Kendrick Lamar, a young rapper under the wing of Dr. Dre, sold 241,000 copies of his new album, “good kid, m.A.A.d. city” (TDE/Aftermath/Interscope), a sum that any other time would make him a contender for No. 1 but earns him a distant second this week.

Mr. Lamar's album had 2.8 million streams on Spotify in the United States last week, the second-best showing for a new album this year on that service, behind Mumford & Sons' “Babel,” which had 8 million streams when it came out in September. So far “Red” is not available on Spotify, and last week the only digit al outlet for it was iTunes. This week, however, other digital stores are offering it at big discounts: $8 at Google Play and Amazon's MP3 store, and $5 from 7digital. (At iTunes? $15.)

Also this week, the country singer Jason Aldean, who opened at No. 1 last week with “Night Train” (Broken Bow), fell to No. 3 with 116,000 sales, a 72 percent drop, and “Babel” (Glassnote) fell two spots this week to No. 4 with 53,000.

Two new albums also reached high on the chart. Tony Bennett opened at No. 5 with 36,000 sales of his latest duets project, “Viva Duets,” on Columbia. (This one - not to be confused with his earlier “Duets: An American Classic” or “Duets II” - features Christina Aguilera, Marc Antony, Juan Luis Guerra and other Latin pop singers.) The rising blues-rock guitarist Gary Clark Jr. opened at No. 6 with 35,000 sales of his major-label debut, “Blak and Blu” (Warner Brothers).



Foundas Leaving Film Society of Lincoln Center to Write For Village Voice

Scott Foundas, who three years ago left the world of cinema criticism to join the programming team at the Film Society of Lincoln Center, is recrossing the border between critics and cultural arbiters. On Wednesday, Voice Media Group, which owns several alternative newspapers including The Village Voice and LA Weekly, said that Mr. Foundas had been hired as the principal film writer at The Voice, where his reviews and features will be appear in the print publications and online platforms owned by the company.

“I guess I could quote the old Joni Mitchell line, ‘You don't know what you've got till it's gone,'” Mr. Foundas said in a telephone interview. “I'd be lying if I didn't say that I had missed my writing a bit over the last three years.” Pointing to formidable film critics who have previously held this post at The Voice, including Andrew Sarris and J. Hoberman, Mr. Foundas said, “When this offer presented itself, it was too good to refuse, to paraphra se another famous line.”

Mr. Foundas was the film editor and chief film critic for LA Weekly when he was hired in November of 2009 as the Film Society's associate program director. In recent years he has worked with Richard Peña, the program director, to select movies and organize events including the New York Film Festival. Mr. Peña is departing at the end of the year, and is to be succeeded by Kent Jones, who will be director of programming for the festival, and Robert Koehler, who will be director of programming, year round.

The announcement comes at a time when The Voice and its parent company have come under increasing criticism for shedding brand-name contributors and diluting the unique sensibilities of individual publications amid consolidation in the alternative-newspaper marketplace. Last month, The Voice lost its most recent editor in chief, Tony Ortega.

Mr. Foundas, whose appointment at The Voice will be effective Dec. 3, said he was more op timistic about his position and these publications.

“People have been sounding the death knell for film criticism specifically, or print journalism in general, since I was first hired by the LA Weekly back in 2003,” Mr. Foundas said. “And I remember a critic friend of mine in L.A. saying to me, ‘You're going to be the one who turns out the lights,' meaning on film criticism. Here we are a decade later, and not only are The Weekly and The Voice still around, but I would say there's very strong evidence that quality film criticism is alive and well.”



Museum of Contemporary Art, Chicago Gets Major Gift from Zell Family Foundation

The Museum of Contemporary Art, Chicago has received a $10 million gift from longtime supporters Sam Zell, the real estate magnate, and his wife Helen, a museum board member, through the Zell Family Foundation, to create what they are calling “The Zell Fund for Artistic Excellence.''

“This is an open gift that will go toward what we call our Vision initiatives,'' said Madeleine Grynsztejn, director of the MCA, Chicago in a telephone interview on Wednesday. “It will help underwrite programs such as our outdoor summer plaza series, exhibitions and artist residency programs. The money will also go toward the museum's digital initiatives including our website and multi-media applications inside the museum and out.''

In addition, Ms. Grynsztejn added, the gift will help the museum beef up its educational programs and raise the museum's civic visibility through greater community outreach.

Half of the money will also go toward paying off some debt the ins titution incurred when it built its new home, which opened in 1996.



Recreating Merce Cunningham, Frame by Frame

Paris-Merce Cunningham's “Un Jour ou deux,” which opens at the Paris Opera Ballet on Wednesday night on a double bill with Marie-Agnès Gillot's “Sous Apparance,” is a curiosity even for Cunningham aficionados. Originally 90 minutes long, set to a complex score by John Cage, it was created for the Paris Opera Ballet in 1973-and despite the admiration for Cunningham's work that the French had shown well before the United States followed suit, the work caused an outcry at its premiere.

“Some people loved it, but many people come to the opera for diversion, and it was difficult for them,” said Brigitte Lefèvre, the director of the Paris Opera Ballet.

Ms. Lefèvre was speaking during a rehearsal break on Saturday as musicians set up stations with blocks of wood and percussive instruments in the orchestra pit, readying themselves for the difficulties of the Cage score, which demands improvisation from the players and keeps them moving around the pit.

Ms. Lefèvre's own relationship with Cunningham goes back a long way. She was instrumental in bringing the choreographer's work to France when she and Jacques Garnier, a fellow Paris Opera dancer, founded le Theatre du Silence in 1971 and were given permission to perform “Summerspace” and “Changing Steps.”

“Merce was amused that we were going to perform our own work on a program with his pieces,” she said. “He had such a generous spirit: the contrast genuinely interested him.”

Despite the contentious reception of “Un Jour ou deux” (A Day or Two), the Paris Opera brought it back in 1986, and Cunningham cut it to just over 60 minutes. Whether because it now shared a program (with Rudolf Nureyev's “Washington Square”) rather than being performed alone, or whether Cunningham felt it was too long, isn't clear, said Robert Swinston, a Cunningham dancer who, with Jennifer Goggans, reconstructed the work for the current season.

“Be cause it hadn't been performed since 1986, the process was an extremely painstaking one,” Mr. Swinston said after the rehearsal, as stagehands rolled up flooring on the raked Palais Garnier stage. There were blurry videos, he said, of one rehearsal and one performance, from both the 1973 and 1986 runs, but no clear indications of many specific parts for the 25-strong ensemble. (Unlike most Cunningham works, “Un Jour” has principal roles, and the central couple was danced during both seasons by Wilifried Piollet and Jean Guizerix; those, as well as three soloist parts, were more easily reconstructed.)

Together with Laurent Hilaire, a former étoile who is now a ballet master at the Opera, and who performed one of the solo roles in 1986, Mr. Swinston and Ms. Goggans watched blown-up, slowed-down sections of the dance to identify the dancers and then track them throughout the piece, creating detailed graphs to keep track of who was where when.

“Improved tec hnology actually enabled us to put this together,” he said. “What you could barely see on the grainy video became at least vaguely apparent with high-definition screening.”

As with any reconstruction, there were decisions to be made. “There were moments, specially with partnering, when you could get the general effect of a movement, but not exactly how it was being achieved,” said Ms. Goggans. “So we had to experiment until it looked right.”

And Mr. Swinston said that in many cases they stuck to the 1973, rather than the 1986, version because they believed Cunningham's intentions were clearer in that version.

What the discussion revealed is the delicate, difficult business of putting together a dance that hasn't been performed for 26 years, when the choreographer is no longer alive. Video is blurry; dancers may have made mistakes; memories fade. Often, Mr. Swinston said, it's a judgment call, a decision about what you think the choreographer would have wanted.

There will no doubt be dedicated Cunningham followers in the audience to decide whether Mr. Swinston and Ms. Goggans got it right, and whether the Paris Opera dancers do justice to the master's precise, demanding work. Like all of Cunningham's work, “Un Jour ou Deux” asks the audience for concentration and immersion in a universe as full of surprising wonders as nature itself.

“It's not necessarily an easy piece, but I am thrilled to bring it back, specially in the centenary year of John Cage,” Ms. Lefèvre said. “I think it's a masterpiece, and I'm proud that it's ours.”



Bond May Be No Saint, but He\'s Worthy of Vatican Attention

ROME - In its Wednesday edition, the Vatican newspaper L'Osservatore Romano commemorated two topical dates with full-page spreads: the 500th anniversary of the inauguration of the Sistine Chapel â€" which took place under Pope Julius II on Oct. 31, 1512 - and the 50-year run of the James Bond franchise.

Now, Michelangelo's masterpiece is the subject of regular reports in the Vatican mouthpiece, but it's rarer for a fictional character with a license to kill (and a rather cavalier attitude when it comes to sex outside of marriage) to draw this kind of glowing coverage, even if the occasion is the Italian release Wednesday of the latest Bond film, “Skyfall.”

As interpreted by Daniel Craig and envisioned by the director Sam Mendes, this Bond is “less of a cliché, less attracted by the pleasures of life, much darker and more introspective,” the Osservatore film critic Gaetano Vallini wrote in one of five articles dedicated to the Ian Fleming spy. “And be cause of this he is more human, even able to be moved and to cry.” (Mr. Vallini did also note that the movie had plenty of exotic locations, supervillains, vodka martinis and “extremely beautiful Bond girls.”)

To honor James Bond is to recognize the character's role in popular culture, said the paper's editor in chief, Giovanni Maria Vian, adding that the newspaper's mandate is “to pay attention to the cultural phenomena of our time,” whether comics, pop music or film. In recent years, the newspaper has commended popular favorites like the Blues Brothers and the Beatles' White Album.

Mr. Bond “may be a stylized hero, but he's on the side of good,” Mr. Vian said. “He is elegant, pokes fun at himself, overall he's more human.”



\'National Rejuvenation\'? Or Chinese Fascism?

BEIJING - In the Chongwenmen area of China's capital, a major shopping district near Beijing Railway Station that heaves with consumers every evening, a giant electronic screen stretches across the top of a road exhorting shoppers to work toward the great “rejuvenation of the Chinese people.” It glows red and yellow in the night sky, the colors of the national flag.

It's scenes like this that explain why some Chinese and foreign scholars are wondering if the seeds of a fascist-style ideology lie in the ground here, or are already sprouting.

After all, the concept of national rejuvenation was rooted in extreme nationalism and fascist thinking in the last century, when both Hitler and Mussolini espoused citizens' duty to recover an ancient strength and glory. And there is a Chinese precedent: Before the Communist takeover in 1949, the Nationalist leader, Chiang Kaishek, had a “China Revival Society,” led by “Blue Shirts,” modeled on Mussolini's Blac k Shirts.

An extreme thesis? Certainly, it calls for robust debate. In my latest column, I explore whether what is happening in today's China can be seen as fascism and the limitations of that term.

According to a report on Tencent, one of China's biggest Web platforms, the concept of “great rejuvenation” (“weida fuxing,”) began in 1997 after the 15th National Congress of the Communist Party. (The 18th congress begins next week.) “Great national rejuvenation” replaced a phrase that sounds milder in Chinese, “zhenxing zhonghua,” or “national revival,” the Topics Today post said.

By now the idea is widely used in official rhetoric. Recently, a researcher at the National Development and Reform Commission, Yang Yiyong, provoked broad online debate when he announced that China had achieved 62 percent of its planned “national rejuvenation.” (China's netizens are a critical bunch and many poured scorn on the attempt to quantify such a conce pt.)

For Wang Lixiong, a Beijing-based writer and scholar, the strongly nationalist trend in China today is a cause for concern.

An expert on Tibet and Xinjiang, Mr. Wang believes the official emphasis on nationalism is veering into something more disturbing - a kind of racism, as the majority Han people who dominate government struggle to control the two restive autonomous regions, he said in an interview via Skype in Beijing.

“Internally, we're seeing racism towards the Tibetans and in Xinjiang, and externally, I feel that now we're not necessarily quite there yet, but the signs are already there, a kind of expansionism and nationalism is becoming dominant in China's external relations,” Mr. Wang said.

He described a trip he took, from Golmud in Qinghai province, to Lhasa, the capital of the Tibet Autonomous Region.

“Recently I drove from Golmud to Lhasa and there were 17 police checks, and they separated out the Han and the Tibetans, wh o was allowed to pass, who wasn't allowed into Lhasa,” he said. The Han were allowed to travel on while Tibetans were generally not. “So the racism is very clear,” he said.

The Chinese government, for its part, strongly argues that it has worked hard to modernize Tibet and Xinjiang and spread economic progress, and that it operates policies that give advantages to ethnic minorities, including easier access to university education or allowing them to have more children.



Bond May Be No Saint, but He\'s Worthy of Vatican Attention

ROME - In its Wednesday edition, the Vatican newspaper L'Osservatore Romano commemorated two topical dates with full-page spreads: the 500th anniversary of the inauguration of the Sistine Chapel â€" which took place under Pope Julius II on Oct. 31, 1512 - and the 50-year run of the James Bond franchise.

Now, Michelangelo's masterpiece is the subject of regular reports in the Vatican mouthpiece, but it's rarer for a fictional character with a license to kill (and a rather cavalier attitude when it comes to sex outside of marriage) to draw this kind of glowing coverage, even if the occasion is the Italian release Wednesday of the latest Bond film, “Skyfall.”

As interpreted by Daniel Craig and envisioned by the director Sam Mendes, this Bond is “less of a cliché, less attracted by the pleasures of life, much darker and more introspective,” the Osservatore film critic Gaetano Vallini wrote in one of five articles dedicated to the Ian Fleming spy. “And be cause of this he is more human, even able to be moved and to cry.” (Mr. Vallini did also note that the movie had plenty of exotic locations, super villains, vodka martinis and “extremely beautiful Bond girls.”)

To honor James Bond is to recognize the character's role in popular culture, said the paper's editor in chief, Giovanni Maria Vian, adding that the newspaper's mandate is “to pay attention to the cultural phenomena of our time,” whether comics, pop music or film. In recent years, the newspaper has commended popular favorites like the Blues Brothers and the Beatles' White Album.

Mr. Bond “may be a stylized hero, but he's on the side of good,” Mr. Vian said. “He is elegant, pokes fun at himself, overall he's more human.”



A Day Long Remembered: Superfans React to Disney\'s Acquisition of \'Star Wars\'

Like a ragtag band of Rebel pilots making their assault on the Death Star, the news that the Walt Disney Company was buying Lucasfilm - and with it, its valuable “Star Wars” film franchise - took lifelong fans of that George Lucas space-adventure series by surprise on Tuesday. While these devoted aficionados could have just used the Force to make peace with the acquisition, many of them preferred to register their opinions at that modern-day Creature Cantina known as the Internet.

On his Twitter account, the “Family Guy” creator Seth MacFarlane, who has used that Fox animated series to both send up and pay tribute to the “Star Wars” movies, indicated that his authorized satires would likely come to an end. Asked by a fan if the Disney deal would mean the demise of the “Family Guy” “Star Wars” parodies, Mr. MacFarlane wrote: “Alas, I'd bet money on it.” In another post Mr. MacFarlane acerbically added: “Looking forward to seeing what exciting new Star Wars adventures will be cooked up by the dream factory that brought us Mars Needs Moms!”

Ewan McGregor, who played Obi-Wan Kenobi in the “Star Wars” prequels, offered his good wishes to Mr. Lucas, writing on his Twitter account: “Congrats George and best of luck with whatever is next.” Speculating about what the contents of a seventh “Star Wars” movie might include, Mr. McGregor added: “Wonder if they will need any Obi-Wan Hologram action??!”

Simon Pegg, a star of “Shaun of the Dead” and a trusted bellwether of sci-fi culture, had more complicated feelings. In one Twitter post, he joked: “To be fair, I was saying Lucasfilm was a Mickey Mouse outfit back in 1999.” (That would be the inglor ious year that the first “Star Wars” prequel, “The Phantom Menace,” was released.) He added: “For the record, I have no problem with Disney, I am a huge fan and I'm sure it's actually good news for Star Wars fans. LLAP ” (The abbreviation is short for “Live Long and Prosper,” as Mr. Pegg, who stars in J. J. Abrams's rival “Star Trek” franchise, could surely tell you.)

And in another galaxy, far, far away, Carrie Fisher -Princess Leia herself - posted this video on her Facebook page.



Europe Ready to Send Military Trainers as Mali War Looms

LONDON - The European Union is ready to send troops to prepare an offensive against renegade Islamist troops occupying northern Mali, a fiefdom that could become a springboard for terrorist attacks on Europe.

“It's 1,200 kilometers from France and from Europe. Therefore our security is at stake,” Jean-Yves Le Drian, the French defense minister, said on Tuesday.

However, the Union's contribution to an African-led international effort to oust the Qaeda-linked militants is likely to be limited to a few hundred military trainers. “I haven't heard from member states a willingness to put people in the field,” an E.U. official told Reuters.

The crisis has been building since mutinous soldiers staged a coup in Bamako, the Malian capital, in March.

Separatist Tuareg tribesmen grabbed the opportunity to seize the north, but they were promptly pushed aside by radical Islamists. The radicals have imposed a brutal fundamentalist regime on two-thirds of t he country, funded with the proceeds of drug, cigarette and people smuggling.

Six French hostages are being held there by the local affiliate of Al Qaeda. The same group, Al Qaeda in the Islamic Maghreb, has been linked to the death of J. Christopher Stevens, the U.S. ambassador to Libya killed in Benghazi last month.

France, the former colonial power in Mali, took the initiative in pushing for a United Nations Security Council resolution that this month cleared the way for military intervention if the crisis of the breakaway north cannot be resolved peacefully.

The French and their European partners fear that Mali could become a new terrorist haven like Somalia, but this time much closer to the Continent.

Alain Praud, a reader of France's Le Monde, suggested the Islamist takeover in the north had more to do with crime than religion.

“The desert bandits, who have long trafficked in slaves, are now doing the same with drugs, weapons and illegal immigrants,” he wrote in an online comment. “The banner of Islam is serving as a cover for hypocrites.”

António Guterres, U.N. High Commissioner for Refugees and a former prime minister of Portugal, wrote in a Global Opinion article last month:

If unchecked, the Mali crisis threatens to create an arc of instability extending west into Mauritania and east through Niger, Chad and Sudan to the Horn of Africa and the Gulf of Aden, characterized by extended spaces where state authority is weak and pockets of territorial control are exercised by transnational criminals.

The perceived threat has proved sufficient to involve the United States, which this week sought the support of Algeria in the international effort to oust the Islamists.

My colleague Michael R. Gordon wrote from Algiers that Hillary Rodham Clinton, the visiting U.S. Secretary of State, agreed to pursue a dialog with the North African state on the most effect ive approaches to take.

It is already apparent that, if it comes to a shooting war, Malian and other African troops would be doing the fighting, with Europe picking up the bill and providing training.

Germany is among the countries that have said it would send military trainers, despite some skepticism among the German public.

“The mission threatens to become a failure, particularly because time is running out,” according to Germany's Der Spiegel.

“If the Malian army and the West African intervention force hope to invade the north before the hot summer, the Europeans will have to begin their training activities in the winter,” according to magazine. “And if they delay the mission, the Islamists will have plenty of time to strengthen their positions.”



IHT Quick Read: Wednesday, Oct. 31

NEWS The New York region began the daunting process of rebuilding in the aftermath of Hurricane Sandy, a storm that remade the landscape and rewrote the record books as it left behind a tableau of damage, destruction and grief. Updates on the storm aftermath and recovery.

European newspaper and magazine publishers, frustrated by their inability to make money from the Web, say Google should pay them, because they provide the material on which the Web giant is generating its revenue. In several European countries, they are close to getting their way. Eric Pfanner reports from Paris.

Immigrants in Catalonia have helped make the economy both the largest among Spain's regions and among the most diverse, with sizable populations of Muslims, Sikhs, Chinese and others. But as Catalonia prepares for an election that could become an unofficial referendum on independence, as many as 1.5 million residents of the total population of 7.5 million will not be eligible to vo te because they are not Spanish citizens. Raphael Minder reports from Badalona, Spain.

UBS, the Swiss bank, announced plans on Tuesday to eliminate up to 10,000 jobs. Mark Scott reports from London.

Defying the worst European auto sales in 20 years and deepening losses in the region, the chief executive of Fiat said Tuesday that he would not close any of the carmaker's underused factories in Italy and vowed to repeat the turnaround he has already led at Chrysler. Jack Ewing reports from Frankfurt.

ARTS Three new plays shake up the Off-West End and put it at center stage. Matt Wolf on London theater.

SPORTS The referee Mark Clattenburg stands accused of using racial slurs during a match between Chelsea and Manchester United. Has the media over-hyped the story? Rob Hughes on soccer.



Tuesday, October 30, 2012

As Violence Continues, Rohingya Find Few Defenders in Myanmar

HONG KONG - Violence has continued this week in western Myanmar, as an apparent campaign of ethnic cleansing is being carried out against the Muslim minority group known as the Rohingya - with little response or outcry from Aung San Suu Kyi or other human rights and pro-democracy activists in the country.

A group of several thousand Burmese marched on a Rohingya village on Tuesday to force the residents there to relocate, according to a new report from Radio Free Asia. At least one person was killed when security forces fired on the mob.

Over the past 10 days, violence by extremists and vigilantes in Rakhine State has left at least 89 people dead. Nearly 30,000 people have been rendered homeless, most of them Muslims, pushed into squalid refugee camps. Countless other Rohingya have taken to the sea in a frantic exodus of houseboats, barges and fishing vessels.

Satellite photos published by Human Rights Watch showed a Muslim sector in the town of Kyaukpyu leveled by what appeared to be methodical and premeditated arson - more than 600 homes and nearly 200 houseboats were destroyed. Before-and-after images of the sector can be seen here.

“The opposition, including democracy icon Aung San Suu Kyi and other prominent figures, has hopelessly failed to intervene or calm the situation,” said the analyst and editor Aung Zaw in a commentary published Monday in his magazine, Irrawaddy.

“Many, especially in the international community and human rights organizations, were disheartened to see such inaction from those who still claim to represent the democracy movement.”

Ms. Aung San Suu Kyi has been notably restrained in the few comments she has made on the Rohingya clashes, generally saying that both sides are culpable and that the rule of law must prevail. But the Burmese activist Maung Zarni, a visiting fellow at the London School of Economics, said Ms. Aung San Suu Kyi's belief that the violence was purely s ectarian showed “a shocking naivete.”

“She should know better,” Maung Zarni said, adding that the Rohingya now have so few advocates in Myanmar that they've become “a people who feel they are drowning in the sea of Burma's popular ‘Buddhist' racist nationalism.”

During a forum at Harvard's Kennedy School last month, according to a story in Global Post, a student from Thailand asked Ms. Aung San Suu Kyi to “explain why you have been so reluctant” to comment about the oppression of the Rohingya.

“The mood in the room suddenly shifted,” the article said. “Suu Kyi's tone and expression changed. With an edge in her voice, she answered: ‘You must not forget that there have been human rights violations on both sides of the communal divide. It's not a matter of condemning one community or the other. I condemn all human rights violations.' ”

The South Asia director of Human Rights Watch, Meenakshi Ganguly, said in a statement quoted by Zee News:

The Rohingyas seem to have become the nowhere people. The authorities in Burma have failed to protect them, and Bangladesh refuses to provide asylum to those fleeing the attacks.

It appears that many are in stranded in boats hoping for refuge. India, with its long history of providing shelter, in fact to both Burmese and Bangladeshi refugees, should perhaps press both governments to do the right thing.

Burma needs to act swiftly to ensure the rights of its Rohingya population instead of disputing their citizenship. Bangladesh should open its borders and provide relief.

The Rohingya, who are Muslim, are not recognized as citizens by the Myanmar government, nor are they are among the 135 official ethnic groups in the country formerly known as Burma. Deeply impoverished and effectively stateless, the Rohingya are viewed by the Buddhist majority as unwelcome immigrants who have crossed over illegally from neighborin g Bangladesh.

Just getting the terms and identifiers right can be a challenge. The Rohingya are referred to locally as Bengalis, after their language. And members of the Buddhist majority in the area are typically called Rakhines, after the state. Rakhine State was formerly known as Arakan, and the people there are sometimes called the Araknese.

It was a bloody summer in Rakhine, with anti-Muslim riots triggered in June by the rape and murder of a young Buddhist woman, a crime that was blamed on Muslims. Dozens were killed in the fighting, and 75,000 fled, most of them Muslims.

President Thein Sein initiated a Riot Inquiry Commission after that violence and asked for the panel's findings by Nov. 14. That deadline, commission members say, will not be met.

“We do not have enough cooperation from all sides,” said one member, Maung Thura, the country's most famous comedian, who is widely known as Zarganar, his stage name.

“The local ethnic Rak hine, Muslim community, government offices, and even the members of Parliament have become increasingly less willing to participate,” Zarganar, a former political prisoner, told Radio Free Asia.

“It is very disturbing to see that the conflict has worsened,” Zaw Nay Aung, a democracy activist, told Rendezvous in an e-mail on Wednesday. “The Burmese, the majority of whom are Buddhists, are Islamophobic.”

He said anti-Islamic pamphlets have lately been circulating in western Myanmar, stirring up fear and anger among the Buddhists there. Some believe the military-dominated government is behind the propaganda campaign.

“These small booklets are not officially published but rather secretly disseminated,” said Zaw Nay Aung, who called the pamphlets “hate-literature” that suggests global Islam has embarked on a plan to make inroads into non-Muslim countries. The alleged methods in Myanmar are the practice of polygamy, the building and expansion o f mosques and the seeking of ethnic minority status for the Rohingya.

Zaw Nay Aung's pro-democracy group, Burma Independence Advocates, which is based in London, is preparing a report “about the regime's possible conspiracy on the communal strife,” he said.

“I think this whole mess is deliberately created by the regime to have an effect of rally-round-the flag,” he said. “Many people in Burma today support President Thein Sein for his stance on the Rohingya. He said he would run for a second term, and he's getting more and more support because of this religious/racial crisis.”

Aung Zaw, the Irrawaddy editor, described one theory that “the strife was intended to allow the Burmese armed forces, or Tatmadaw, to return to the spotlight.”

“In the past,” he said, “the former junta launched several military campaigns against the Rohingya - and every time the Burmese people rallied behind the military.”



Swift\'s \'Red\' Tops a Million Sales in Week 1

Her products are for sale in a special display at Walgreens stores. She has a line of Keds shoes. She's all over Target ads. She was even part of a deal at Papa John's, which dressed countless pizza boxes with a photo of her lipsticked face.

All that branding paid off for Taylor Swift, whose latest album, “Red” (Big Machine), sold 1.208 million copies in its first week out - the biggest weekly take for any album since 2002, Billboard reported on Tuesday night, citing data from Nielsen SoundScan. The album will, naturally, open at No. 1 on Billboard's new album chart, which will be released in full on Wednesday.

The success of “Red” continues a winning streak for Ms. Swift, 22. Her last record, “Speak Now,” opened with just over 1 million sales two years ago, and she is the only woman to have two albums selling a million copies in one week since 1991, when SoundScan began keeping tracking sales from music retailers. Only 18 albums, counting “Red,† have sold a million in one week, and even in this era of depressed music sales, a bunch have happened recently: Lady Gaga's “Born This Way” hit the mark last year, “Speak Now” in 2010 and Lil Wayne's “Tha Carter III” in 2008.

In its report, Billboard noted that 465,000 sales of the album were made at iTunes, 396,000 at Target and 8,000 through Papa John's, which sold the CD for $13 and also as part of a $22 pizza-and-CD combo. (“I don't think it would look right on a hamburger or a taco, but it sure looks right on a Papa John's box,” the chain's founder, John Schnatter, said of the deal.)

One outlet where fans could not get “Red,” however, was Spotify. As other record companies have done with some major new releases, Ms. Swift's label, Big Machine, withheld the album from the subscription streaming services like Spotify and Rdio. Some labels believe that doing so will spur download sales, or at least not canniba lize them - in the all-important first sales week.

But recently another big-selling album challenged that assumption: Mumford & Sons' “Babel” opened at No. 1 with 600,000 sales in its first week - including both CDs and album downloads - while also being available on Spotify, where it was streamed eight million times in its first week, a record for the service.



Lebbeus Woods, Architect of the Imaginary Realm, Dies

Lebbeus Woods, a New York architect who became a cult figure among students and academics for his signature drawings, died on Tuesday at age 72. His death was confirmed by his longtime friend and fellow architect Steven Holl.

Though he was trained as an architect and worked for Eero Saarinen, Mr. Woods became best known for fantastical illustrations of imaginary buildings and dystopic scenes, rendered in colored pencil and ink. His 1993 series in response to the war in Bosnia, for example, evokes sci-fi comics â€" with twisted cables, crumbling buildings and flying steel shards. On his website, Mr. Woods wrote: “At this stage in my life and work â€" I would optimistically call it a middle stage â€" I have a clear grasp of what it is that I want to achieve, though I am still searching for the best realization of ideas that have driven me all along.”



Settlement Talks Continue in Court Battle Over \'Spider-Man\' Musical

A legal settlement has still not been signed in the court fight between the producers of the Broadway musical “Spider-Man: Turn Off the Dark” and their former director, Julie Taymor, despite a late-October deadline set by a federal judge overseeing the case, according to a spokesman for the show and two other people with direct knowledge of the negotiations.

The judge, Katherine B. Forrest, ruled on Aug. 30 that the two sides had 60 days to come to terms in the suit over the musical, which has become a fan favorite and been grossing an average of $1.4 million since performances began in November 2010.

Ms. Taymor, who was fired by the producers in March 2011 while preview performances were underway, filed suit last Novemberon copyright grounds, saying the producers were profiting from her “Spider-Man” script and staging and owed her more than $1 million in back pay and royalties.

The producers counter-sued, contending that Ms. Taymor had been fired for breach of contract because she would not cooperate with their plans to artistically overhaul the $75 million musical during previews.

While Ms. Taymor and the producers had reached a settlement agreement in principle, prompting Judge Forrest to set her deadline, they have continued to negotiate and consider their options this fall, the two people with knowledge of the talks said this week. The two spoke under condition of anonymity because they were not authorized to publicly discuss the case.

The sticking points remain unclear, but the two people â€" one who is close to Ms. Taymor, and one who is close to the producers â€" said some of the issues that have been under negotiation include a financial settlement for Ms. Taymor; an acknowledgement of her artistic contributions in future productions of “Spider-Man”; and the future of a film documentary about the “Spider-Man” musical that was made by Jacob Cohl, whose father is Michael Cohl, a lead produc er of the musical and one of Ms. Taymor's main antagonists in the backstage drama.

The documentary was filmed before and during the clashes between Ms. Taymor and Michael Cohl and the other producers, and it is not known how Ms. Taymor comes off in the film. The two people who spoke on condition of anonymity said that the documentary is now complete and that Jacob Cohl may submit it to film festivals or try to release it commercially.

A spokesman for the “Spider-Man” musical, Rick Miramontez, said on Tuesday that the settlement talks continued and that “all parties are moving forward amicably as the process extends for a bit”â€" perhaps a week or more, he added. He said Judge Forrest had been informed of the delay; if a settlement is not finalized, a jury trial in the case is expected in 2013.



Mother and Son: Richard Russo Talks About \'Elsewhere\'

Richard Russo's first memoir, “Elsewhere,” tells the story of the Pulitzer Prize-winning novelist's loving and difficult relationship with his mother, Jean. Mr. Russo's parents separated when he was a child in upstate New York. Raised by his mother, he served as her emotional wellspring, for better and worse. As Mr. Russo became a professor and a successful novelist, he remained deeply devoted to Jean, bringing her with him to Arizona and then back to the East Coast. In a recent e-mail interview, Mr. Russo discussed his decision to write about his mother, the autobiographical elements of his fiction and more. Below are edited excerpts from the conversation:

Q.

Why did you decide to write this b ook about your mother's life now?

A.

In the months after my mother's death, I thought about her constantly, and she was visiting my dreams, as well. All of which suggested there was unfinished business. My last three novels had all featured characters who were puzzled by destiny, asking themselves, “How did I end up here?” Now I found myself puzzling over the same issues with regard to my mother's life and my own. We shared both a genetic (highly obsessive) nature as well as strikingly similar nurture, having grown up in the same small upstate New York mill town. How could our destinies have diverged so radically? It seemed worth investigating.

Q.

Your mother “was deeply mystified by how many people apparently wanted to read stories set in the kind of industrial backwaters from which she'd worked so hard to escape.” Did she express a lot of reaction to your novels? And what was the reaction like?

A.

My mother's reaction to my novels was, as you might expect, complex. She enjoyed seeing the town that shaped both our lives (Gloversville, N.Y.) through the prism of my imagination. Recognizing her husband (my father) in “Nobody's Fool,” she remarked that she was far fonder of him on the page than in real life. But my returning to Gloversville in my fiction troubled her. It meant, I think, that she'd failed in what she saw as her primary duty - to get me the hell away from that place and those people.

Q.

It will be tempting for readers familiar with all your work to experience “Elsewhere” as, among other things, a skeleton key to your fiction. As one of those readers, I'm now wondering if your first two novels, “Mohawk” and “The Risk Pool,” are your most autobiographical, or are there equal amounts of your own experience in each book?

A.

It will please me immensely if readers feel as if they've been granted an insight into a writer's creative process. Like every writer, I'm always being asked where I get my ideas from; well, here's the answer, or part of it. “Mohawk” and “The Risk Pool” are my most literally autobiographical novels, if by autobiography you mean shared facts and data. Still, while there's far more invention in “Bridge of Sighs,” I think of it as the novel that most deeply probes who I am, as a man and as a writer.

Q.

Is there a particular character in any of your novels that was most strongly based on your mother?

A.

Anne Grouse, in “Mohawk,” is my mother on a good day - brave, faithful, lovely, determined. Ned Hall's mother in “The Risk Pool” is the same woman on those days when the demons closed in - unhinged, terrified, needy, ill.

Elena Seibert
Q.

You inherited your mother's deeply conflicted feelings about Gloversville. What's the best thing about the place in your opinion?

A.

This should be an easy question to answer, but it isn't, because I've spent very little time in Gloversville since 1971. In a sense “Elsewhere” is about a place that doesn't exist anymore. The town itself is real enough, but my firsthand knowledge of it is 40-some years out of date.

Q.

Your dad was a frequent gambler but, aside from one stretch you describe, you don't seem to have caught that bug. Is that true, or do you consciously resist the pull of gambling?

A.

No, I think (knock on wood) the bug is gone. A few years ago an academic colleag ue of mine invited me to come to Vegas with him. A tournament-caliber bridge and poker player, he'd always wondered how he'd fare at a table with pros. We arrived in the afternoon and headed to the casino with plans to meet for dinner that evening. After an hour or so of throwing coins into slots, I got bored and returned to my room, thinking I'd take a nap, and there was my friend. He'd won about 500 bucks in the first hour and gotten bored, just like I had. What happens in Vegas, we concluded, didn't happen to us, at least not anymore.

Q.

How do you think screenwriting has changed your process of writing fiction or changed the final product of your fiction, if it has?

A.

Screenwriting, which demands economy above all else, has made me even more expansive as a fiction writer. I love writing dialogue and putting characters in motion, so for me writing scripts is a lark. But when I return to fiction, I'm free t o visit the recesses of my characters' lives that the camera has no access to. It's much more difficult, but also more rewarding.

Q.

There's a theme of “moral outrage” in “Elsewhere” about how industries treat the residents of places like Gloversville. Do you have to consciously make those feelings less polemical in your fiction than the way you feel them in real life?

A.

I think that theme of moral outrage is also present in “Empire Falls” and “Bridge of Sighs.” You can be pretty polemical in a novel. What you have to be careful of is appearing, as author, to intrude upon your narrative. When readers sense a writer pulling strings, then they start thinking of the characters as puppets, not really people. I never want to pull readers out of the dream.

Q.

You mention in the book that, as a novelist, you don't consider plot a dirty word. How did you approach plot in no nfiction, given the length and complexity of your relationship with your mother?

A.

I think the best memoirs read like novels, which means, among other things, that the writer must decide what fits the narrative arc and what doesn't. The fact that something actually happened doesn't mean it should be included. A memoirist isn't free to invent, but the shape of the story is up to him. He decides - as in a novel - how and where the story begins (near the end, in this case). He also chooses, just as a novelist does, when to summarize and when time should slow down for a dramatic scene.

Q.

Did this book get nonfiction out of your system, or did it inspire you to want to write more of it?

A.

I never say never, because that's an invitation to the gods to make a fool of you, but “Elsewhere” seems to have satisfied my need to tell that particular kind of truth.



The Making of Angela Merkel

PARIS- I have long been fascinated by Angela Merkel - a woman who has risen to power in a conservative country where most women still find it hard to get to the top; an East German who seemed untrammeled by the mediocrity, the torpor and the generally loathsome atmosphere of mistrust that permeated that drab Communist state. I spent many years covering the Soviet bloc, relishing the great friendship and conversation you could enjoy behind closed doors. I am also married to a Russian pianist and composer, Sergei Dreznin, and I had the great good fortune to be in East Berlin the night the wall fell in 1989, 23 years ago next week. Probably it was all that - and Ms. Merkel's intelligence - that led me to want to know more about how she came from small-town surroundings to the pinnacle of German politics.

My article in The New York Times this morning dwells on how the Chancellor's training as a physicist has influenced and informed her approach to politics. Less obvious in that version was her young life in East Germany. See below for more details from the longer version of the article that was published Tuesday in the International Herald Tribune, and let us know what your own impressions of Ms. Merkel are.

We will start right in with a passage that directly links to life in East Germany:

In conversation, or giving a speech, Ms. Merkel is above all alert, looking around, taking in all present. (In a 2010 interview with Bild am Sonntag, she noted that in East German daily life ‘‘you had to be very alert and organized - going into a shop you looked first to see what goods people were buying at the checkout, then searched for them yourself.'') When she lacks an immediate answer, or is weighing words especially carefully, her eyes flutter upward, searching for the right formulation as a pupil might scan her memory for an exam answer. Often, too, a smile dances somewhere around an enigmatic face.

After she entered German politics in 1990, winning election to Parliament and an immediate seat in Chancellor Helmut Kohl's cabinet, Ms. Merkel absorbed important lessons about gaining and defending power, and making the media her friend.

None of that was a given when the Berlin Wall fell in November 1989, opening up to Ms. Merkel and 17 million East Germans chances - and challenges - they had long desired but scarcely imagined.

Ms. Merkel was that rare East German born in the West - in Hamburg, on July 17, 1954 - and taken east when she was just six weeks old, because her father, Horst Kasner, a trained theologian, and her mother Herlind Jentzsch, a teacher of Latin and English, answered the Lutheran church's call for more pastors in the Soviet-controlled East.

‘‘It was my mission to go there,'' Mr. Kasner, who died last year, told Judy Dempsey of the International Herald Tribune in 2005. ‘‘After World War II, we were just thankful that we had survived.'' The manager of the moving company the Kasners used made plain how strange it was. ‘‘He said there were two kinds of people going over to the East - Communists, and real idiots.''

Ms. Merkel spent her formative years in Templin, a medieval town of about 17,000 some 80 kilometers, or 50 miles, north of Berlin in a lake-dotted region known as the Uckermark. Toward one edge of the town stands the Waldhof, a complex that includes a pastor's residence and the seminary where Mr. Kasner oversaw training for Lutheran priests. Erstwhile visitors recall a well-stocked library, including books from the West. Mr. Kasner, as he told Ms. Dempsey, led Friday night discussions of some 30 people, even mulling works by the Soviet scientist and dissident Andrei D. Sakharov.

Ms. Merkel's mother, barred as a pastor's wife from teaching in a Communist state, threw her energies into educating her children - Angela, her brother Markus, three years younger, and, later, Irene, 10 years Ms. Merkel 's junior. From the start, Angela Kasner excelled. By her own description, she loved company and - unusually for a pastor's child - was not only confirmed in the church, but joined both the Communist Young Pioneers and, later, the Free German Youth.

‘‘Childhood doesn't consist of politics alone and in this unpolitical sense I simply had a very good life,'' Ms. Merkel told the Frankfurter Allgemeine Zeitung in May 2005. ‘‘My parents raised us with much love and gave us access to a broad education. We sang in the church choir - the church was a community of like-minded people. I learned very early that you can talk about anything amongst friends, but, outside that circle, you are cautious. Yet that didn't really bother me'' at least until ‘‘I got into situations that were no fun at all.''

One such situation arose in 1968. Ms. Merkel's first political memory, she told the Frankfurter Allgemeine, was the building of the Berlin Wall on Aug. 13, 1961, when she was just 7. ‘‘It was a Sunday,'' she recalled. ‘‘My father, as pastor, had a service. Everybody was crying.''

Seven summers later, she went to Czechoslovakia - her parents traveled to Prague to see firsthand the thrilling reforms taking place. Then, on Aug. 21, 1968, she heard on the radio that Russian troops had crushed the Prague Spring. ‘‘That was really terrible,'' she told Ms. Roll. She was about to convey this to her school class when the teacher grew visibly nervous. The future chancellor quickly adopted a poker face.

Listening to that story, Ms. Roll wrote, she understood the origins of Ms. Merkel's famously unreadable expression. ‘‘Yes,'' Ms. Merkel said, ‘‘it is a great advantage from the time in East Germany, that one learned to keep quiet. That was one of the strategies for survival. As it is today.''

Just off the central square in Templin, in a timbered building that in Communist times (and earlier) housed the local Sp arkasse, or savings bank, the beams bear carved mottos that Greeks and Spaniards now fear ring loud in Ms. Merkel's ears: ‘‘The saver of today is the winner of tomorrow,'' reads one. ‘‘It is not what you earn, but what you save, that makes you independent,'' says another.

Although Ms. Merkel left the town decades ago, she periodically returns to Uckermark for weekends in her small country house near Templin. On the drive west from town, toward the old highway to Berlin, first come villages little changed from East German days, then the rusting outskirts of what was a large Soviet base, a remnant of the vanished empire. Only people who lived through its dissolution and then labored to rebuild their lives can understand how profoundly shattering - and creatively formative - an experience it was.

The chancellor has recalled East Germany as a place where no one was pushed to excel. As a star student who graduated from Leipzig University in physics, then earne d a doctorate and knuckled down in a prestigious if obscure laboratory in East Berlin, she apparently never lost sight of the need to lift her head above that mediocrity, just as East Berliners used to climb high buildings to glimpse West Berlin.

Although few mourned East Germany, she knows firsthand the cost of collapse. It is interesting that, in rejecting the idea of euro bonds as a way to end the euro crisis, she told Parliament last June: Bonds ‘‘would turn mediocrity into Europe's yardstick. We would be abandoning our ambition of retaining our prosperity in worldwide competition.''

On the dizzying night of Nov. 9, 1989, when the Wall finally came down, Angela Merkel was, as ever, methodical. Like many others, she heard Günter Schabowski, a member of the ruling Communist Politburo, read the confusing announcement that East Germans were free to travel west. Ms. Merkel called her mother and told her to prepare her West German marks (families with relativ es in the West often received food, clothes and money). And she reminded her mother that they had always promised, if the Wall came down, to eat oysters together in the Kempinski Hotel in West Berlin.

Then, as always on Thursdays, Ms. Merkel went to the sauna with a girlfriend. Only afterward did she join the crowds surging through the newly opened Wall. Another biographer, Gerd Langguth of the University of Bonn, related that she briefly joined a West Berlin family at their home. The next morning, she was back in East Berlin - at work.

She, and her country, have traveled far since. Once past that rusting Soviet base, the road from Templin now passes dozens of wind turbines. After last year's tsunami and nuclear disaster in Japan, Ms. Merkel, the physicist accustomed to weighing risk, declared, to the horror of Germany's business community, that the country should shut down all atomic plants and become 80 percent reliable on renewables by 2050. The turbines symb olize her quest to reshape her country, and her continent.

Her critics may cite her hesitation and a general European lack of nerve as obstacles. But given the nature of Germany's federal system, which disperses power, Ms. Merkel has a lot more explaining to do - to her party, her coalition and her Parliament - than, say, any French president. And when she is determined, she is clear; no one, President François Hollande of France told European journalists this month, ‘‘can accuse Angela Merkel of ambiguity.''
She has often succeeded while being underestimated - as several political rivals, and her predecessors as chancellor, can attest.

Once famously known as ‘‘Kohl's girl,'' she turned on her erstwhile patron after he lost first the chancellorship and then his party chairmanship in 1998. Ms. Merkel became general secretary of the party - No. 2 to the new chairman, Wolfgang Schäuble (now her widely respected finance minister).

After 16 years in power, the Christian Democrats were consumed by a scandal involving millions of marks sloshing undeclared through party coffers. In December 1999, Ms. Merkel published a sensational article in the Frankfurter Allgemeine Zeitung, lamenting the ‘‘tragedy'' that had befallen the party, blaming Mr. Kohl and urging a new course. ‘‘We cannot avoid this process, as Helmut Kohl would doubtless be the first to understand,'' the article stated.

Critics see this as an extreme example of a tendency to turn on mentors or allies. Mr. de Maizière has lamented, for instance, that she has long avoided him (he declined, as did others, to be interviewed for this article). But many applauded Ms. Merkel's instinct to go to the heart of the matter. The fallout sidelined Mr. Kohl, and hurt his longtime associate, Mr. Schäuble. Ms. Merkel was elected party chairwoman in April 2000, and has held the post since.

Next, Mr. Schröder helped her, unwittingly. Reforms he enacted in his second term laid the groundwork for Germany's current primacy in Europe. But they were unpopular, and when Mr. Schröder's party, the Social Democrats, lost a key region in 2005 state elections, he called an early national election.

Ms. Merkel's Christian Democrats had no time to choose another candidate as chancellor. She was predicted to win clearly, and stunned when her party finished only just ahead of Mr. Schröder's. But, either elated by his success or tipsy from celebrating it, he declared on television that she could not possibly get his job - an arrogance that helped unite viewers and her party behind Ms. Merkel in difficult coalition negotiations. Five weeks later, aged 51, she was sworn in as chancellor.

Whether Ms. Merkel envisaged years at the pinnacle of German politics is one of the many things she has successfully kept to herself. ‘‘There are no leaks from this chancellery,'' noted Mr. Nowak, admiringly. Longtime aides are loyal, an d discreet - Ms. Merkel's right-hand woman, Beate Baumann, has been with her since the early 1990s.

So no one has ever said when and how Ms. Merkel - who married the physics student Ulrich Merkel in September 1977 but was divorced five years later - met her current spouse. In her doctoral thesis, submitted in January 1986, she thanked the man she would later marry, a chemistry professor, Joachim Sauer, for critical observations. Professor Sauer, five years older than Ms. Merkel, has two sons from a previous marriage, which Mr. Langguth writes ended in 1985. Professor Sauer has never given an interview about politics or his personal life.

More interestingly, of the dozen or so people interviewed for this article, nobody had a clear answer as to why Ms. Merkel entered politics, reached for the top, or works so hard to stay there. ‘‘I think she just grew into it,'' said Ms. Roll. Career women of Ms. Merkel's generation, she said, do not plan their ascent, ‘ ‘they just pass the test at each step'' along the way.

In August, the weekly magazine of Süddeutsche Zeitung asked 37 prominent Germans to pose the chancellor a question. The tennis star Boris Becker asked who she would invite to dinner, to which she replied, ‘‘I don't give dinner parties'' - then added that she would like to dine and mull tactics with Vicente del Bosque, coach of Spain's European and world champion soccer team.

The tennis star Andrea Petkovic asked whether she had a joke ready to tell. ‘‘Yes, always,'' replied the chancellor. But she did not reveal what it was.



The Making of Angela Merkel

PARIS- I have long been fascinated by Angela Merkel - a woman who has risen to power in a conservative country where most women still find it hard to get to the top; an East German who seemed untrammeled by the mediocrity, the torpor and the generally loathsome atmosphere of mistrust that permeated that drab Communist state. I spent many years covering the Soviet bloc, relishing the great friendship and conversation you could enjoy behind closed doors. I am also married to a Russian pianist and composer, Sergei Dreznin, and I had the great good fortune to be in East Berlin the night the wall fell in 1989, 23 years ago next week. Probably it was all that - and Ms. Merkel's intelligence - that led me to want to know more about how she came from small-town surroundings to the pinnacle of German politics.

My article in The New York Times this morning dwells on how the Chancellor's training as a physicist has influenced and informed her approach to politics. Less obvious in that version was her young life in East Germany. See below for more details from the longer version of the article that was published Tuesday in the International Herald Tribune, and let us know what your own impressions of Ms. Merkel are.

We will start right in with a passage that directly links to life in East Germany:

In conversation, or giving a speech, Ms. Merkel is above all alert, looking around, taking in all present. (In a 2010 interview with Bild am Sonntag, she noted that in East German daily life ‘‘you had to be very alert and organized - going into a shop you looked first to see what goods people were buying at the checkout, then searched for them yourself.'') When she lacks an immediate answer, or is weighing words especially carefully, her eyes flutter upward, searching for the right formulation as a pupil might scan her memory for an exam answer. Often, too, a smile dances somewhere around an enigmatic face.

After she entered German politics in 1990, winning election to Parliament and an immediate seat in Chancellor Helmut Kohl's cabinet, Ms. Merkel absorbed important lessons about gaining and defending power, and making the media her friend.

None of that was a given when the Berlin Wall fell in November 1989, opening up to Ms. Merkel and 17 million East Germans chances - and challenges - they had long desired but scarcely imagined.

Ms. Merkel was that rare East German born in the West - in Hamburg, on July 17, 1954 - and taken east when she was just six weeks old, because her father, Horst Kasner, a trained theologian, and her mother Herlind Jentzsch, a teacher of Latin and English, answered the Lutheran church's call for more pastors in the Soviet-controlled East.

‘‘It was my mission to go there,'' Mr. Kasner, who died last year, told Judy Dempsey of the International Herald Tribune in 2005. ‘‘After World War II, we were just thankful that we had survived.'' The manager of the moving company the Kasners used made plain how strange it was. ‘‘He said there were two kinds of people going over to the East - Communists, and real idiots.''

Ms. Merkel spent her formative years in Templin, a medieval town of about 17,000 some 80 kilometers, or 50 miles, north of Berlin in a lake-dotted region known as the Uckermark. Toward one edge of the town stands the Waldhof, a complex that includes a pastor's residence and the seminary where Mr. Kasner oversaw training for Lutheran priests. Erstwhile visitors recall a well-stocked library, including books from the West. Mr. Kasner, as he told Ms. Dempsey, led Friday night discussions of some 30 people, even mulling works by the Soviet scientist and dissident Andrei D. Sakharov.

Ms. Merkel's mother, barred as a pastor's wife from teaching in a Communist state, threw her energies into educating her children - Angela, her brother Markus, three years younger, and, later, Irene, 10 years Ms. Merkel 's junior. From the start, Angela Kasner excelled. By her own description, she loved company and - unusually for a pastor's child - was not only confirmed in the church, but joined both the Communist Young Pioneers and, later, the Free German Youth.

‘‘Childhood doesn't consist of politics alone and in this unpolitical sense I simply had a very good life,'' Ms. Merkel told the Frankfurter Allgemeine Zeitung in May 2005. ‘‘My parents raised us with much love and gave us access to a broad education. We sang in the church choir - the church was a community of like-minded people. I learned very early that you can talk about anything amongst friends, but, outside that circle, you are cautious. Yet that didn't really bother me'' at least until ‘‘I got into situations that were no fun at all.''

One such situation arose in 1968. Ms. Merkel's first political memory, she told the Frankfurter Allgemeine, was the building of the Berlin Wall on Aug. 13, 1961, when she was just 7. ‘‘It was a Sunday,'' she recalled. ‘‘My father, as pastor, had a service. Everybody was crying.''

Seven summers later, she went to Czechoslovakia - her parents traveled to Prague to see firsthand the thrilling reforms taking place. Then, on Aug. 21, 1968, she heard on the radio that Russian troops had crushed the Prague Spring. ‘‘That was really terrible,'' she told Ms. Roll. She was about to convey this to her school class when the teacher grew visibly nervous. The future chancellor quickly adopted a poker face.

Listening to that story, Ms. Roll wrote, she understood the origins of Ms. Merkel's famously unreadable expression. ‘‘Yes,'' Ms. Merkel said, ‘‘it is a great advantage from the time in East Germany, that one learned to keep quiet. That was one of the strategies for survival. As it is today.''

Just off the central square in Templin, in a timbered building that in Communist times (and earlier) housed the local Sp arkasse, or savings bank, the beams bear carved mottos that Greeks and Spaniards now fear ring loud in Ms. Merkel's ears: ‘‘The saver of today is the winner of tomorrow,'' reads one. ‘‘It is not what you earn, but what you save, that makes you independent,'' says another.

Although Ms. Merkel left the town decades ago, she periodically returns to Uckermark for weekends in her small country house near Templin. On the drive west from town, toward the old highway to Berlin, first come villages little changed from East German days, then the rusting outskirts of what was a large Soviet base, a remnant of the vanished empire. Only people who lived through its dissolution and then labored to rebuild their lives can understand how profoundly shattering - and creatively formative - an experience it was.

The chancellor has recalled East Germany as a place where no one was pushed to excel. As a star student who graduated from Leipzig University in physics, then earne d a doctorate and knuckled down in a prestigious if obscure laboratory in East Berlin, she apparently never lost sight of the need to lift her head above that mediocrity, just as East Berliners used to climb high buildings to glimpse West Berlin.

Although few mourned East Germany, she knows firsthand the cost of collapse. It is interesting that, in rejecting the idea of euro bonds as a way to end the euro crisis, she told Parliament last June: Bonds ‘‘would turn mediocrity into Europe's yardstick. We would be abandoning our ambition of retaining our prosperity in worldwide competition.''

On the dizzying night of Nov. 9, 1989, when the Wall finally came down, Angela Merkel was, as ever, methodical. Like many others, she heard Günter Schabowski, a member of the ruling Communist Politburo, read the confusing announcement that East Germans were free to travel west. Ms. Merkel called her mother and told her to prepare her West German marks (families with relativ es in the West often received food, clothes and money). And she reminded her mother that they had always promised, if the Wall came down, to eat oysters together in the Kempinski Hotel in West Berlin.

Then, as always on Thursdays, Ms. Merkel went to the sauna with a girlfriend. Only afterward did she join the crowds surging through the newly opened Wall. Another biographer, Gerd Langguth of the University of Bonn, related that she briefly joined a West Berlin family at their home. The next morning, she was back in East Berlin - at work.

She, and her country, have traveled far since. Once past that rusting Soviet base, the road from Templin now passes dozens of wind turbines. After last year's tsunami and nuclear disaster in Japan, Ms. Merkel, the physicist accustomed to weighing risk, declared, to the horror of Germany's business community, that the country should shut down all atomic plants and become 80 percent reliable on renewables by 2050. The turbines symb olize her quest to reshape her country, and her continent.

Her critics may cite her hesitation and a general European lack of nerve as obstacles. But given the nature of Germany's federal system, which disperses power, Ms. Merkel has a lot more explaining to do - to her party, her coalition and her Parliament - than, say, any French president. And when she is determined, she is clear; no one, President François Hollande of France told European journalists this month, ‘‘can accuse Angela Merkel of ambiguity.''
She has often succeeded while being underestimated - as several political rivals, and her predecessors as chancellor, can attest.

Once famously known as ‘‘Kohl's girl,'' she turned on her erstwhile patron after he lost first the chancellorship and then his party chairmanship in 1998. Ms. Merkel became general secretary of the party - No. 2 to the new chairman, Wolfgang Schäuble (now her widely respected finance minister).

After 16 years in power, the Christian Democrats were consumed by a scandal involving millions of marks sloshing undeclared through party coffers. In December 1999, Ms. Merkel published a sensational article in the Frankfurter Allgemeine Zeitung, lamenting the ‘‘tragedy'' that had befallen the party, blaming Mr. Kohl and urging a new course. ‘‘We cannot avoid this process, as Helmut Kohl would doubtless be the first to understand,'' the article stated.

Critics see this as an extreme example of a tendency to turn on mentors or allies. Mr. de Maizière has lamented, for instance, that she has long avoided him (he declined, as did others, to be interviewed for this article). But many applauded Ms. Merkel's instinct to go to the heart of the matter. The fallout sidelined Mr. Kohl, and hurt his longtime associate, Mr. Schäuble. Ms. Merkel was elected party chairwoman in April 2000, and has held the post since.

Next, Mr. Schröder helped her, unwittingly. Reforms he enacted in his second term laid the groundwork for Germany's current primacy in Europe. But they were unpopular, and when Mr. Schröder's party, the Social Democrats, lost a key region in 2005 state elections, he called an early national election.

Ms. Merkel's Christian Democrats had no time to choose another candidate as chancellor. She was predicted to win clearly, and stunned when her party finished only just ahead of Mr. Schröder's. But, either elated by his success or tipsy from celebrating it, he declared on television that she could not possibly get his job - an arrogance that helped unite viewers and her party behind Ms. Merkel in difficult coalition negotiations. Five weeks later, aged 51, she was sworn in as chancellor.

Whether Ms. Merkel envisaged years at the pinnacle of German politics is one of the many things she has successfully kept to herself. ‘‘There are no leaks from this chancellery,'' noted Mr. Nowak, admiringly. Longtime aides are loyal, an d discreet - Ms. Merkel's right-hand woman, Beate Baumann, has been with her since the early 1990s.

So no one has ever said when and how Ms. Merkel - who married the physics student Ulrich Merkel in September 1977 but was divorced five years later - met her current spouse. In her doctoral thesis, submitted in January 1986, she thanked the man she would later marry, a chemistry professor, Joachim Sauer, for critical observations. Professor Sauer, five years older than Ms. Merkel, has two sons from a previous marriage, which Mr. Langguth writes ended in 1985. Professor Sauer has never given an interview about politics or his personal life.

More interestingly, of the dozen or so people interviewed for this article, nobody had a clear answer as to why Ms. Merkel entered politics, reached for the top, or works so hard to stay there. ‘‘I think she just grew into it,'' said Ms. Roll. Career women of Ms. Merkel's generation, she said, do not plan their ascent, ‘ ‘they just pass the test at each step'' along the way.

In August, the weekly magazine of Süddeutsche Zeitung asked 37 prominent Germans to pose the chancellor a question. The tennis star Boris Becker asked who she would invite to dinner, to which she replied, ‘‘I don't give dinner parties'' - then added that she would like to dine and mull tactics with Vicente del Bosque, coach of Spain's European and world champion soccer team.

The tennis star Andrea Petkovic asked whether she had a joke ready to tell. ‘‘Yes, always,'' replied the chancellor. But she did not reveal what it was.



Vietnam Sentences 2 Musicians to Prison Terms on Propaganda Charges

A court in Vietnam has sentenced two musicians to prison terms for writing and distributing protest songs, a decision that drew fire from the United States and from international human-rights groups, The Associated Press reported. The musicians, Vo Minh Tri and Tran Vu Anh Binh, were convicted on Tuesday of spreading propaganda against the state after a half-day trial in Ho Chi Minh City, a defense lawyer said. Mr. Tri received four years in prison, Mr. Binh six.

Both were accused of posting songs on a Web site of Patriotic Youth, a opposition group based overseas. Mr. Tri, 34, who uses the stage name Viet Khang, has criticized the government in his songs for not taking a harder line against China in a territorial disputes. A video for his song, “Viet Nam Toi Dau” (Where is My Vietnam?), has become a YouTube hit, with 700,000 views. Mr. Binh, 37, recorded the song “Courage in the Prison” (Nguc Toi Hien Ngang) in support of an imprisoned blogger, Nguyen Van H ai. The song urges people to mount non-violent protests.

In recent weeks, the Communist government has clamped down on dissidents who have successfully used the Internet and social media to spread anti-government messages. The authorities have stepped up arrests and handed down stiff sentences to several people who have not only been writing about high-level government corruption, but have been demanding greater civil liberties.

A month ago, Mr. Hai, who writes under the name Dieu Cay, and two other bloggers critical of the regime were sentenced to long prison terms for “spreading propaganda.” Another opposition blogger, Quoc Quan, has said he was beaten by thugs that he suspects are linked to the government.

“The international community can no longer stand by quietly as these free speech activists are picked off one by one by Vietnam's security apparatus,” said Phil Robertson of Human Rights Watch. The U.S. Embassy in Hanoi also criticized the sentences of the two musicians on Tuesday, calling them in an official statement “the latest in a series of moves by Vietnamese authorities to restrict freedom of expression.”



Vietnam Sentences 2 Musicians to Prison Terms on Propaganda Charges

A court in Vietnam has sentenced two musicians to prison terms for writing and distributing protest songs, a decision that drew fire from the United States and from international human-rights groups, The Associated Press reported. The musicians, Vo Minh Tri and Tran Vu Anh Binh, were convicted on Tuesday of spreading propaganda against the state after a half-day trial in Ho Chi Minh City, a defense lawyer said. Mr. Tri received four years in prison, Mr. Binh six.

Both were accused of posting songs on a Web site of Patriotic Youth, a opposition group based overseas. Mr. Tri, 34, who uses the stage name Viet Khang, has criticized the government in his songs for not taking a harder line against China in a territorial disputes. A video for his song, “Viet Nam Toi Dau” (Where is My Vietnam?), has become a YouTube hit, with 700,000 views. Mr. Binh, 37, recorded the song “Courage in the Prison” (Nguc Toi Hien Ngang) in support of an imprisoned blogger, Nguyen Van H ai. The song urges people to mount non-violent protests.

In recent weeks, the Communist government has clamped down on dissidents who have successfully used the Internet and social media to spread anti-government messages. The authorities have stepped up arrests and handed down stiff sentences to several people who have not only been writing about high-level government corruption, but have been demanding greater civil liberties.

A month ago, Mr. Hai, who writes under the name Dieu Cay, and two other bloggers critical of the regime were sentenced to long prison terms for “spreading propaganda.” Another opposition blogger, Quoc Quan, has said he was beaten by thugs that he suspects are linked to the government.

“The international community can no longer stand by quietly as these free speech activists are picked off one by one by Vietnam's security apparatus,” said Phil Robertson of Human Rights Watch. The U.S. Embassy in Hanoi also criticized the sentences of the two musicians on Tuesday, calling them in an official statement “the latest in a series of moves by Vietnamese authorities to restrict freedom of expression.”



Storm-Related Cultural Cancellations Continue

The Metropolitan Opera said on Tuesday morning that it was cancelling the evening performance of Puccini's “Turandot.” It said Met offices were closed, including the box office, on Tuesday, but ticket exchanges could be made by mail, phone and email, or in person when ticket windows reopen.

Neil Patrick Harris Conjures Up Magic Show for Geffen Playhouse

That Neil Patrick Harris always seems to have something up his sleeve, whether he's hosting another awards show, writing a memoir or, in this case, directing a new magic show for the stage. The Geffen Playhouse in Los Angeles has announced that Mr. Harris, the Emmy Award-winning star of “How I Met Your Mother,” will direct a show there called “Nothing to Hide” that will feature the sleight-of-hand artists Derek DelGaudio and Helder Guimarães.

Before visions of Doug Henning or David Copperfield appear in your mind, the Geffen Playhouse said in a news release that “Nothing to Hide” will forgo “the antiquated notions of a traditional magic show” and “take the audience on an imaginary journey through a series of diverse and engaging vignettes brought to life solely from the words and hands of the two masterful magicians.” Mr. Harris, who has several years of experience as a practicing illusionist, previously saw Mr. DelGaudio and Mr. Guimarães per form at the Magic Castle, the Hollywood club where he is the president of its Academy of Magical Arts Board of Directors. In a statement, Mr. Harris said that watching their act “was one of the most amazing, confounding, and magical nights of my life.” He added: “I knew after seeing the reaction from Magic Castle guests and magicians alike that I needed to bring their show to a larger audience.”

The Geffen Playhouse said that “Nothing to Hide,” which is created by Mr. DelGaudio and Mr. Guimarães and written by Mr. DelGaudio, will open on Nov. 27 and run through Jan. 6.



NBC Isn\'t Moving Ahead With \'Office\' Spin-Off \'The Farm\'

Rainn Wilson, right, as Dwight Schrute, with John Krasinski in a scene from NBC Rainn Wilson, right, as Dwight Schrute, with John Krasinski in a scene from “The Office.”

NBC isn't buying “The Farm,” but, in another sense, “The Farm” has bought the farm: this proposed spin-off of “The Office,” which would have starred Rainn Wilson as the eccentric Dunder Mifflin underling Dwight Schrute, will not be produced as a series for the network. In a post on his Twitter account, Mr. Wilson wrote, “Farm Update: NBC has passed on moving forward with The Farm TV show. Had a blast making the pilot â€" onwards & upwards!” He added: “PS Keep watching the AWESOME final season of The Office. Many surprises & hilariousities coming!†

Though the possibility remains that the “Farm” pilot, which focuses on Dwight and his equally bizarre extended family, may be broadcast as an episode of “The Office,” the character's adventures will in all likelihood come to an end when “The Office” concludes its current and final season in the spring.

Mr. Wilson's announcement came shortly after it was reported that NBC was changing the format of “Up All Night,” from a single-camera comedy to a more traditional multi-camera show recorded with a live studio audience (like “Two and a Half Men” and “The Big Bang Theory”). This leaves the network with a momentary dearth of single-camera shows as “The Office” and “30 Rock” finish their runs and “Community” remains absent from NBC's schedule. Other “Office” personnel are nonetheless finding ways to keep busy: Greg Daniels, who adapted the show for American television, is working on two new pilots that feature the “Office” co-stars Craig Robinson and Brian Baumgartner.



On a Night Without Audiences, the Show Goes On for Letterman and Fallon

While Hurricane Sandy shut down new late-night broadcasts from Jon Stewart, Stephen Colbert and Jimmy Kimmel (who brought his program to Brooklyn from Los Angeles for the week), two of their New York comedy colleagues were determined that the show must go on. David Letterman and Jimmy Fallon (and their very understanding crew members and celebrity guests) went ahead with their tapings, despite the absence of studio audiences and key personnel, lending an eerie intimacy to the otherwise entertaining proceedings.

At his CBS “Late Show” (which is recorded at the Ed Sullivan Theater in midtown Manhattan), Mr. Letterman read his monologue from his desk, rapidly running through a set of hurricane-themed jokes (“I come out and I say, ‘Well, so much for the drought'”) before introducing this low-fidelity version of his familiar Top 10 list:

Mr. Fallon also made light of the absence of his audience, trading quips with a would-be studio visitor named Mets Bucket Hat Guy:

Mr. Fallon went on to interview Robert Zemeckis (the director of Mr. Washington's film “Flight”) and his former “Saturday Night Liv e” colleague Seth Meyers, who said that the “S.N.L.” writers got an e-mail saying, “Please everyone be careful, we're asking all the staff not to come in because it's too dangerous. We need the writers in at 5.”



Sandy Dominates European Headlines

LONDON - Four thousand miles and more away in Europe, the winds from Hurricane Sandy were strong enough to blow most other news off front pages and news bulletins on Tuesday.

Newspapers that closed their print runs before the storm struck the eastern seaboard of the United States in the early hours of the European day provided live updates on their Websites to bring news of casualties, flooding and blackouts.

Some European media gave the megastorm the kind of treatment normally reserved for domestic dramas.

Sky News, broadcasting from London, broke into its regular programming to go live to Mayor Michael Bloomberg's final briefing to the people of New York City on Monday night.

It was not just that the “mammoth and merciless storm,” as my colleague James Barron described it, was one of the biggest weather events ever to strike the United States. It was also the special status of New York, almost as familiar as their own cities to Europeans, even those who have never been there.

Britain's Daily Telegraph told readers how the approaching storm had closed “iconic streets” such as Park Avenue and Broadway, while Spain's ABC said the shutdown included the “iconic Apple store on Fifth Avenue.”

There was also an inevitable parochial accent to much of the coverage - the effect of cancelled flights on European travelers and the fate of tourists stranded on the other side of the Atlantic.

“U.K. pupils barricaded in hotel” was the headline on a diary item from Britain's ITV broadcaster. “Air France cancels all flights,” France's TF1 told its viewers.

Some complained that the media attention was overdone.

In a lively debate at Spain's El Pais, readers wanted to know why the threat Sandy posed to the United States received more coverage in the local media than 60 deaths the storm had already caused in the Caribbean and Central America.

While some blamed the obsessions of a pro -“yanqui” press, one commenter told them, “Like it or not, a storm that paralyses New York and Washington is of more interest to this newspaper's readers than the storm that is currently afflicting the Philippines.”

Journalistic obsession or not, public interest in the advance of Hurricane Sandy was credited with pushing up broadcast audiences in France. French media ran a report from the French news agency AFP on a climate conference in Lima in order to link Sandy to the phenomenon of global warming.

Other French Websites pointed to a report this month from Munich Re, the German-based reinsurer, which warned that, “nowhere in the world is the rising number of natural catastrophes more evident than in North America.”

“Among many other risk insights, the study now provides new evidence for the emerging impact of climate change,” Munich Re said.

Tim Stanley, a historian of the United States writing for the Daily Telegraph, drew no firm c limatic conclusions but said Hurricane Sandy was, “big weather for a big country.”

“Why can a disaster never just be a disaster?” he asked, referring to speculation about the impact of the storm on the American presidential election campaign. “A random freak of nature with consequences that are far more personal and serious than a few digits of momentum in a tawdry election.”

He added, “Is this overloading of opinion the product of a civilization with too much time on its hands and too little to say?”



Monday, October 29, 2012

A Closer Look at the American \'Pivot\'

HONG KONG - The United States still has tens of thousands of troops based in Europe, a full withdrawal from Afghanistan is two years away, Iran's nuclear program appears to be a crisis-in-waiting and the Middle East remains highly combustible. But as a senior American diplomat says, “the history of the 21st century is going to be written in the Asia-Pacific region,” which presents the opportunity for “an absolutely unique American role.”

The diplomat, Kurt M. Campbell, assistant secretary of state for East Asian and Pacific affairs, is interviewed in a deft new documentary, “The Pivot,” which explains and explores the enhanced U.S. emphasis on Asia - militarily, diplomatically and economically.

The film, available here, is the latest in an excellent series of documentaries by the former CNN journalist Mike Chinoy, a senior fellow at the U.S.-China Institute at the University of Southern California.

The documentary features interviews with a ra nge of American diplomats - current and former - and scholars with long experience in Asia. Some offer their thoughts on what the upcoming election might mean for U.S. foreign policy in the region.

The Republican challenger, Mitt Romney, has a deep foreign policy bench, according to Richard Armitage, deputy secretary of state under President George W. Bush, and those advisers would likely ensure that “Asia policy would be relatively untouched,” Mr. Armitage said.

Some analysts fear that Mr. Romney's oft-stated promise to call out China for manipulating its currency will not bode well for bilateral relations. Such a move would mean “we're going to have a few years of very tough ties,” said Kenneth Lieberthal, a China scholar and senior fellow at the Brookings Institution and co-author of “Bending History: Barack Obama's Foreign Policy.”

A former Chinese diplomat in Washington, Jia Xiudong, said in the film that he and other Chinese officials have been privately told to ignore the heated, anti-China rhetoric of this and previous campaigns. But if Mr. Romney is elected and carries through on his promise on the currency charge, it would be “the equivalent of declaring war, a trade war,” Mr. Jia said.

“Don't treat China as an enemy,” Mr. Jia advised. “Otherwise you end up with an enemy in China.”

“The fundamental reality is we're the two largest economies in the world for decades to come,” said Mr. Lieberthal. “We had better figure out how to make this work between the two of us.”

The administration, which has proclaimed Mr. Obama to be “our first Pacific president,” originally employed the word “pivot” to describe its new focus on the region. But U.S. diplomats now avoid the term.

“To some ears it has a bit of a military ring to it,” said Jeffrey Bader, a former senior director on the National Security Council in the Obama administration who is a senior fellow at Brookings.

So “pivot” is out. “Rebalancing” is in.

Whatever it's called, the new approach essentially involves deploying 60 percent of U.S. naval forces in the Pacific, a change from the previous 50-50 split between the Atlantic and Pacific commands. Six aircraft carriers will be part of the Pacific fleet.

Mr. Jia, the former diplomat, said many in China are convinced that the pivot is intended “to contain China.” And Mr. Chinoy, a veteran China hand, says that interpretation has become “a widely accepted narrative” on the mainland.

Mr. Campbell, however, rejects the containment notion, calling it “simplistic and wrong.”

Mr. Armitage rejects that view: “When the administration says it's not about China, it's all about China. China knows this.”

The pivot also involves bolstering alliances and friendships with an array of Asian nations, including India, and especially those that have been at odds with China in recent months - Japan, the Philippines, Vietnam and South Korea.

Multilateral institutions also have received more of Washington's attention, like the Association of Southeast Asian Nations, the Asia Pacific Economic Cooperation forum, the Trans-Pacific Partnership and the East Asia Summit. The next East Asia meeting is scheduled to be held next month in Phnom Penh, and Mr. Obama is expected to attend.